Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our perso...(展开全部)

Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our perso...(展开全部)

Cindy Sherman's "Untitled Film Stills," a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our per...(展开全部)

Cindy Sherman's "Untitled Film Stills," a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our per...(展开全部)

Photographs by Diane ArbusAfterword by Doon Arbus In these photographs Arbus achieves a lyricism, an emotional purity, that sets them apart from all her other accomplishments. Untitled may well be Arbus's most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of each and every one of us. It demands of us what it demanded of her: the co...(展开全部)

作者简介： 彼得•雷德（Peter Rader），毕业于哈佛大学。作为一名电影制作人和编剧，他曾为所有主要的好莱坞电影制片厂开发电影项目。现与妻子和两个儿子居住在美国洛杉矶。 能够将所有这些研究结果整合成一位传奇人物的第一部完整传记，我深感荣幸。他不但帮助我们更加深入地理解我们身处其中的世界，也阐明了生而为人的真义所在。 ——彼得•雷德 译者简介： 潘源，博士，副研究员。曾在北京科技大学英语系任教近十年，现任职于中国艺术研究院文化发展战略研究中心。主要译著有《弗洛伊德式的身体——精神分析与艺术》《冷山》《梦锁危情》《天书》等。

作者简介： 彼得•雷德（Peter Rader），毕业于哈佛大学。作为一名电影制作人和编剧，他曾为所有主要的好莱坞电影制片厂开发电影项目。现与妻子和两个儿子居住在美国洛杉矶。 能够将所有这些研究结果整合成一位传奇人物的第一部完整传记，我深感荣幸。他不但帮助我们更加深入地理解我们身处其中的世界，也阐明了生而为人的真义所在。 ——彼得•雷德 译者简介： 潘源，博士，副研究员。曾在北京科技大学英语系任教近十年，现任职于中国艺术研究院文化发展战略研究中心。主要译著有《弗洛伊德式的身体——精神分析与艺术》《冷山》《梦锁危情》《天书》等。

Tender, beguiling, suffused with feeling and wit, the remarkable plays of Thornton Wilder occupy a unique place in American culture. His most celebrated play, Our Town, has achieved iconic status as an expression of the spirit and pathos of small-town American life; adapted for the movies and the operatic stage, it continues to resonate with audiences responding to its formal e...(展开全部)

This text seeks to revise notions of film genre. It connects the roles played by industry critics and audiences in making and re-making genre. In a critique of major voices in the history of genre theory from Aristotle to Wittgenstein, Altman reveals the conflicting stakes for which the genre game has been played. Recognizing that the very term 'genre' has different meaning for...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)