Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our perso...(展开全部)

Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our perso...(展开全部)

Cindy Sherman's "Untitled Film Stills," a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our per...(展开全部)

Cindy Sherman's "Untitled Film Stills," a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our per...(展开全部)

作者简介： 彼得•雷德（Peter Rader），毕业于哈佛大学。作为一名电影制作人和编剧，他曾为所有主要的好莱坞电影制片厂开发电影项目。现与妻子和两个儿子居住在美国洛杉矶。 能够将所有这些研究结果整合成一位传奇人物的第一部完整传记，我深感荣幸。他不但帮助我们更加深入地理解我们身处其中的世界，也阐明了生而为人的真义所在。 ——彼得•雷德 译者简介： 潘源，博士，副研究员。曾在北京科技大学英语系任教近十年，现任职于中国艺术研究院文化发展战略研究中心。主要译著有《弗洛伊德式的身体——精神分析与艺术》《冷山》《梦锁危情》《天书》等。

作者简介： 彼得•雷德（Peter Rader），毕业于哈佛大学。作为一名电影制作人和编剧，他曾为所有主要的好莱坞电影制片厂开发电影项目。现与妻子和两个儿子居住在美国洛杉矶。 能够将所有这些研究结果整合成一位传奇人物的第一部完整传记，我深感荣幸。他不但帮助我们更加深入地理解我们身处其中的世界，也阐明了生而为人的真义所在。 ——彼得•雷德 译者简介： 潘源，博士，副研究员。曾在北京科技大学英语系任教近十年，现任职于中国艺术研究院文化发展战略研究中心。主要译著有《弗洛伊德式的身体——精神分析与艺术》《冷山》《梦锁危情》《天书》等。

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)

"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor. Product...(展开全部)

In 1977, photographers Larry Sultan (1946–2009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canon―a book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands o...(展开全部)